近些年,我国的影视产业发展迅猛,人们对于视觉效果的追求越来越高,数字技术的出现给影视制作带来了春天,让影视的效率与质量更高,这也就需要更多的电影电视人才,为了顺应时代的发展,芝加哥哥伦比亚学院就开设了电影电视本科专业,下面,就随小编来看看吧,希望对大家有所帮助:
Film and Television, BFA
电影和电视艺术学士是一个研究项目,重点是一个特定的集中;制作,导演,电影摄影,制作设计,剪辑和后期制作,电影声音,编剧。这个集中的研究,达到顶点工作,允许有限的探索在其他领域的CTVA,并要求承诺你所选择的专注。影视文学学士与电影电视文学学士不同,后者允许更广泛的跨学科研究项目。
课程设置:
核心课程
CINE 401 BFA Studio
CINE 402 BFA Research and Presentation
CINE 491A BFA Thesis I
CINE 491B BFA Thesis II
MEDI 101 Cinematic Storytelling
MEDI 102 Cinema and Television Production
Choose one of the following courses:
CINE 143 World Cinema I
CINE 144 World Cinema II
CONCENTRATIONS
Cinematography
Required for the Concentration:
CINE 121 Lighting I
CINE 215 Cinematography: Camera Seminar I
CINE 216 Image Design for Cinema
CINE 221 Photo Theory
CINE 223 Cinema Color I
CINE 306 Cinematography I
CINE 308 Cinematography II
CINE 315 Cinematography: Camera Seminar II
CINE 316 Camera Seminar II Studio
CINE 321 Lighting II
CINE 322 Lighting II Studio
CINE 406 Cinematography III
Cinema Visual Effects
· Required for the Concentration:
· ANIM 150 Computer Animation: Keyframing I
· ANIM 161 CVFX Foundations
· ANIM 262 CVFX: Cinematography I
· ANIM 263 CVFX: Compositing I
· ANIM 270 Motion Graphics I
· ANIM 363 CVFX: Compositing II
· ANIM 365 Computer Animation: Visual Effects
· ANIM 370 Motion Graphics II
· CINE 130 Editing I
· CINE 131 Editing I Studio
· CINE 223 Cinema Color I
· CINE 323 Cinema Color II
Directing
· Required for the Concentration:
· CINE 104 Fundamentals of Casting
· CINE 128 Acting and Directing Workshop
· CINE 145 Screenwriting I: Writing the Short Film
· CINE 225 Cinema Directing I
· CINE 250 Advanced Script Supervising
· CINE 325 Cinema Directing II
· CINE 345 Advanced Casting Director
· Complete 15 credits from the following courses:
· ANIM 161 CVFX Foundations
· CINE 121 Lighting I
· CINE 130 Editing I
· CINE 131 Editing I Studio
· CINE 202 Cinematic Art in the Land of Leonardo
· CINE 216 Image Design for Cinema
· CINE 235A Authorship:
· CINE 235B Authorship:
· CINE 235C Authorship:
· CINE 235D Authorship:
· CINE 235E Authorship:
· CINE 235F Authorship:
· CINE 245 Screenwriting II: The Feature Film
· CINE 275 Experimental Production I
· CINE 326 Directing Techniques for the Micro Feature
· CINE 329 Scene Study with Camera: A Directing Workshop
· CINE 364 The Assistant Director’s Workshop
· CINE 383A Advanced Topics in Cinema Directing
· CINE 383B Advanced Topics in Cinema Directing
· CINE 383C Advanced Topics in Cinema Directing
· CINE 383D Advanced Topics in Cinema Directing
· CINE 383E Advanced Topics in Cinema Directing
· CINE 416 Advanced First Assistant Director
· CINE 425 Cinema Directing III
· CINE 475 Experimental Production II
Editing and Post-Production
· Required for the Concentration:
· CINE 130 Editing I
· CINE 131 Editing I Studio
· CINE 211 Post-Production Audio I
· CINE 230 Editing II
· CINE 231 Editing II Studio
· Complete 3 credits from the following courses:
· CINE 181A Studies in Editing
· CINE 181B Studies in Editing
· CINE 181C Studies in Editing
· CINE 181D Studies in Editing
· CINE 181E Studies in Editing
· CINE 332 Editing the Short Form
· CINE 334 Experimental Editing
· CINE 335 Editing the Documentary
· CINE 410 Advanced Editing Seminar
· CINE 412 Editing the Feature
· Complete 3 credits from the following courses:
· ANIM 161 CVFX Foundations
· ANIM 263 CVFX: Compositing I
· ANIM 270 Motion Graphics I
· ANIM 361 CVFX: Studio
· CINE 223 Cinema Color I
· CINE 226 Digital Workflow
· CINE 227 Advanced Post-Production Tools
· CINE 229 The Assistant Editor
· CINE 232 Post-Production Supervisor
· CINE 311 Post-Production Audio II
· CINE 414 Digital Cinema Mastering
· Complete 16 credits from the following courses:
· ANIM 180 Studies In:
· ANIM 363 CVFX: Compositing II
· ANIM 370 Motion Graphics II
· ANIM 470 Motion Graphics III
· CINE 135 Photoshop Workshop for Editors
· CINE 214 Music for Cinema
· CINE 224 Color Correction for Editors
· CINE 318 The Art and Craft of Foley
· CINE 319 The Art and Craft of Automated Dialogue Replacement
· CINE 323 Cinema Color II
· CINE 327 Digital Imaging Technician and On-Set Post-Production
· CINE 338 The Machine Room
· CINE 411 Post-Production Audio III
· CINE 415 Sound Mixing for Cinema
· COLL 210 Internship
· COLL 230 Internship: Professionalism and Creativity
Producing
· Required for the Concentration:
· CINE 248 Producing I: Production Team
· CINE 261 Intro to Producing the Commercial
· CINE 348 Producing II: Legal and Financial Options
· CINE 349 Producing III: The Creative Producer
· CINE 368 The Line Producer Workshop
· CINE 424 Strategic Distribution for Filmmakers
· Complete 18 credits from the following courses:
· CINE 249 Introduction to Script Supervising
· CINE 345 Advanced Casting Director
· CINE 351 Location Scouting and Management Workshop
· CINE 364 The Assistant Director’s Workshop
· CINE 369 Producing the Commercial
· CINE 376 Script Rewrite and Polish
· CINE 409 Pitching Hollywood: Los Angeles
· CINE 416 Advanced First Assistant Director
Production Design
· Required for the Concentration:
· CINE 107 Production Design I
· CINE 110 History and Techniques of Production Design
· CINE 205 Cinema Props
· CINE 208 Cinema Set Design and Construction
· CINE 209 Production Design Rendering Techniques
· CINE 307 Production Design II
· CINE 365 Set Decoration
· ILLU 203 Illustration: Concept Art I
· Complete 13 credits from the following courses:
· ARTS 110 Drawing I
· CINE 113 Cinema Makeup and Makeup Special Effects
· CINE 216 Image Design for Cinema
· CINE 310 Cinema Models and Miniatures
· CINE 466 Production Design: Special Effects
· ILLU 314 Digital Illustration I
· THEA 135 Introduction to Basic Makeup
· THEA 335 Makeup Prosthetics/FX Design
Screenwriting
· Required for the Concentration:
· CINE 140 Script Analysis for Cinema
· CINE 145 Screenwriting I: Writing the Short Film
· CINE 245 Screenwriting II: The Feature Film
· CINE 253 Adaptation
· CINE 260 Screen Treatment & Presentation
· CINE 378 Ideation & Theme: Portfolio Review
· CINE 428 The Business of Screenwriting
选修课
· 15 credits of electives are required with a minimum of 3 credits per elective group.
· CRWR 132 Story in Fiction and Film: International
· CRWR 150 Fiction Workshop: Beginning
· CRWR 155 Poetry Workshop: Beginning
· GAME 105 Game Culture
· INMD 110 Interactive Culture
· INMD 240 Story Development for Interactive Media
· RADI 205 Writing for Radio
· TELE 110 The History of Television
· TELE 112 Aesthetics and Storytelling
· TELE 212 Television Arts: Writing
· TELE 310 Writing for Television
· TELE 318 Writing the Situation Comedy
· TELE 320 Critical Television Theory and Analysis
· TELE 327 Writing for Television Genre
· TELE 333 Writing for Internet and Mobile TV
· TELE 440A Writing the Television Pilot:
· TELE 440B Writing the Television Pilot:
· TELE 440C Writing the Television Pilot:
· TELE 440D Writing the Television Pilot:
· TELE 440E Writing the Television Pilot:
· THEA 168 Playwriting I
· Complete 3 to 6 credits from the following courses:
· ANIM 105 Introduction to Traditional Animation
· CINE 107 Production Design I
· CINE 118 Introduction to Sound for Cinema and Television
· CINE 121 Lighting I
· CINE 128 Acting and Directing Workshop
· CINE 130 Editing I
· CINE 131 Editing I Studio
· CINE 148 Introduction to Documentary
· CINE 225 Cinema Directing I
· CINE 235A Authorship:
· CINE 235B Authorship:
· CINE 235C Authorship:
· CINE 235D Authorship:
· CINE 235E Authorship:
· CINE 235F Authorship:
· CINE 238A Cinema History and Culture
· CINE 238B Cinema History and Culture
· CINE 238C Cinema History and Culture
· CINE 238D Cinema History and Culture
· CINE 238E Cinema History and Culture
· CINE 238F Cinema History and Culture
· CINE 239A New Perspectives on Cinema Studies
· CINE 239B New Perspectives on Cinema Studies
· CINE 239C New Perspectives on Cinema Studies
· CINE 239D New Perspectives on Cinema Studies
· CINE 239E New Perspectives on Cinema Studies
· CINE 240A Cinema and Global Media Culture
· CINE 240B Cinema and Global Media Culture
· CINE 240C Cinema and Global Media Culture
· CINE 240D Cinema and Global Media Culture
· CINE 240E Cinema and Global Media Culture
· CINE 241A New Trends in Global Cinema
· CINE 241B New Trends in Global Cinema
· CINE 241C New Trends in Global Cinema
· CINE 241D New Trends in Global Cinema
· CINE 241E New Trends in Global Cinema
· CINE 248 Producing I: Production Team
· CINE 266 Documentary Storytelling
· CINE 275 Experimental Production I
· MEDI 310 Transmedia Analysis: Games, Film and Television
· Complete 3 to 6 credits from the following courses:
· CINE 355A Screenwriting Workshops:
· CINE 355B Screenwriting Workshops:
· CINE 355C Screenwriting Workshops:
· CINE 355D Screenwriting Workshops:
· CINE 355E Screenwriting Workshops:
· CINE 373 Comparative Screenwriting:
· CINE 374A Genres in Screenwriting:
· CINE 374B Genres in Screenwriting:
· CINE 374C Genres in Screenwriting:
· CINE 374D Genres in Screenwriting:
· CINE 374E Genres in Screenwriting:
· CINE 376 Script Rewrite and Polish
· CINE 380A Studies in Screenwriting:
· CINE 380B Studies in Screenwriting:
· CINE 380C Studies in Screenwriting:
· CINE 380D Studies in Screenwriting:
· CINE 380E Studies in Screenwriting:
Sound for Cinema
Required for the Concentration:
AUDI 102 Introduction to Audio
CINE 118 Introduction to Sound for Cinema and Television
CINE 211 Post-Production Audio I
CINE 213 Location Sound Recording I
CINE 214 Music for Cinema
CINE 311 Post-Production Audio II
CINE 313 Location Sound Recording II
CINE 318 The Art and Craft of Foley
CINE 319 The Art and Craft of Automated Dialogue Replacement
CINE 411 Post-Production Audio III
CINE 415 Sound Mixing for Cinema
申请材料:
1.申请费:$25
2.所有申请人都需要向哥伦比亚大学提交他们的正式高中成绩单。
3.书面样本:
在申请中,提交一份书面样本以回应以下提示:
请提供一份简短的个人陈述,概述你在芝加哥哥伦比亚学院入学的目标。你可以选择写关于你创作实践的发展,你的职业目标的进步,提高特定技能,或你自己的个人成长。
申请也会有一个可选的部分,你可以提供关于你可能想要解释的学术历史项目的额外信息。
4.作品集
写一篇简短的文章(约500字),讨论你的创作和职业目标,以及你为什么希望追求电影和电视艺术的BFA。请说明你对你感兴趣的特定专注的承诺,包括对你的创作过程的见解,并讨论合作在你的工作中已经或将要扮演的角色。
语言要求:
托福:建议考90分或更高。
雅思:推荐分数7分或更高。
Duolingo:推荐分数115分或更高。
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